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Monday, February 23, 2015

WVRAA Literary - Musical Contest

Literary Musical Contest has been a part of and the most anticipated event of the Western Visayas Regional Athletic Association (WVRAA) Meet since the early 1990s until 2014 when it was abolished in the meet due to the additional expenses incurred when the winners in the regional competition does not go on to represent Western Visayas region in the Palarong Pambansa (National Games) because no such event exists in the national level unlike the sporting events. It was added in the meet as part of the academic activities of the students practicing what they learn in their academic subjects enhancing or harnessing further their hidden talents and potentials. We hope that this literary-musical competition will be revived in the future. 

Meanwhile, here are some of the competition categories being contested normally in colleges or tertiary level but some are previously competed in the primary and secondary level, their guidelines and criteria for judging.





Lip Synchronization - College - Dream Girls - WVSU




Character Interpretation - College - WVSU 





WVRAA Literary-Musical Contest 2013 Folk Dance - Secondary - ANCHS


English Declamation
Guidelines

1. The piece must be in English. Contest piece must be of any topic suited for declamation: it can either be in poetry or in prose
      2.  Delivery must not be less than five (5) minutes nor more than seven (7) minutes.
      3. The contestant must be in appropriate attire based on his/her character in the piece
.     4. No other parts of the body must touch the floor, except the feet.

Criteria for judging:

Interpretation - 40%
- Expression
- Characterization

Delivery - 30%
- Pronunciation
- Stress and Accent
- Enunciation
- Fluency
- Mastery

Stage Presence - 20%
- Personality
- Poise

Suitability of the piece - 10%

TOTAL - 100%


Filipino Declamation
Guidelines

1. Ang piyesa ay kinakailangang bigkasin sa Filipino.
      2.  Ang pagbigkas ay hindi bababa sa limang (5) minuto at hindi hihigit sa pitong (7) minuto.
      3. Ang mga kalahok ay kinakailangang magsuot ng nararapat na kasuotan.
.     4. Walang ibang bahagi ng katawan ang dapat makalapat sa sahig maliban sa paa.

Pamantayan sa Paghatol:

Interpretasyon - 40%
-Ekspresyon
-Pagsasatao

Pagbigkas - 30%
-Tinig
-Boses
-Pagbigay diin
-Artikulasyon
-Pagsaulo

Tikas o Personalidad - 20%
-Tindig
-Kilos
-Gawi

Kaangkupan ng Piyesa - 10%

KABUUAN - 100%



Declamation (Hiligaynon)
Guidelines o Giya:

1. Ang ‘pinikas’ ukon piyesa kinahanglan nga sa pulong nga Hiligaynon. Puede ini sa binalaybay ukon sa dinalayday (poetry or prose).
2. Ang pagpaalinton indi magkubos sa lima (5) ka minutos ukon magsobra sa pito (7) ka minutos.
3. Ang naga pasakup sa paindisindis dapat magasuksok sang nagakadapat nga biste.
4. Wala sing iban nga bahin sang lawas ang magatandog sa salog luwas lang sa tiil.

Talaksan sa paghukom:

Kasayuran - 40%
-Dagway sang nawong
-Paglarawan

Pagpamulongpulong - 30%
-Pagmitlang
-Kabug-at kag kadagmit
-Katigda
-Katayuyon
-Pagkalandason

Pagdala sang kaugalingon sa entablado - 20%
-Panggiho
-Panindogtindog

Ang pag angay sang pinikas ukon piyesa sa personalidad - 10%

KABILUGAN - 100%


Extemporaneous SpeakingGuidelines

1. The topics will be based on current events
      2.  The contestant is given three (3) minutes to prepare for his/her answer. Delivery must not exceed three (3) minutes.
      3. The timer will ring the bell thirty (30) seconds before the maximum time limit. The timer will again ring the bell twice to indicate that the contestant has consumed the time limit.  

Criteria for judging:
Content - 35%
-Worth of ideas
- Comprehensive treatment and updated issues

Facility of the English language - 25%
-Pronunciation
-Enunciation
-Stress and accent
-Fluency

Delivery - 20%
-Style
-Expression and gestures
-Voice projection

Organization - 10%
-Logical presentation of ideas

Over-all impact - 10%
-Stage presence
-Audience appeal

TOTAL - 100%



Oration
Guidelines:

1. The topic must be original and relevant to the theme.
2. The piece must be in English.
3. Delivery must not be less than three (3) minutes nor more than five (5) minutes.


Criteria for judging:

Delivery - 35%
-Expression
-Gestures
-Voice Projection
-Mastery

Content - 30%
-Relevance to the theme
-Worth and logical presentation of ideas

Facility of English Language - 25%
-Pronunciation
-Enunciation
-Diction
-Stress and accent

Over-all impact - 10%
-Audience appeal
-Stage presence

TOTAL - 100%


Talumpati (Oration In Filipino)
Mga Alituntunin:

1. Ang piyesa ay kinakailangan sariling gawa o orihinal at nauugnay sa tema.
2. Ang pagbigkas ay hindi bababa sa tatlong (3) minuto at hindi hihigit sa limang (5) minuto.
3.  Bawal magsuot na may pagkakakilanlan ang mga kalahok gaya ng uniporme.


Pamantayan sa Paghatol:

Nilalaman - 30%
-Kaugnayan sa tema
-Kabuuan at kaayusan ng diwa
-Kalinawan

Paglalahad - 35%
-Tinig
-Pagbigkas
-Akmang gamit ng mga salita

Tikas o Personalidad - 30%
-Tindig
-Kilos at gawi
-Tuwirang pakikipag-ugnay

Pangkalahatang impak - 5%

KABUUAN - 100%   


Binalaybay (Oration in Hiligaynon)
Guidelines o Giya:

1. Ang ‘pinikas’ ukon piyesa kinahanglan nga sa pulong nga Hiligaynon.
2. Ang topiko dapat nagakaangot sa tema.
3. Ang pagpaalinton indi magkubos sa tatlo (3) ka minutos kag indi magsobra sa lima (5) ka minutos.



Talaksan sa paghukom:

Pagpamulongpulong - 40%
-Pagmitlang
-Kabug-at kag kadagmit
-Katigda
-Katayuyon
-Pagkalandason

Unod sang piyesa - 30%
-Kaangutan sang piyesa sa tema
-Presentasyon sang mga ideya

Pagdala sang kaugalingon sa entablado - 20%
-Panggiho
-Panindogtindog

Ang pag angay sang pinikas ukon piyesa sa personalidad - 10%

KABILUGAN - 100%



Storytelling
Guidelines:

1. The piece must be in English. Contest piece must be of any topic suited for storytelling.
2. Delivery must not be less than five (5) minutes nor more than seven (7) minutes.
3. The contestant is free to use the stage and must show rapport with the audience.
4. The use of book may not be necessary.
5. No other parts of the body must touch the floor, except the feet.

Criteria for judging:

Interpretation - 30%
-Expression
-Characterization
-Mastery of the piece
-Stage Presence

Delivery - 30%
-Pronunciation
-Stress and Accent
-Intonation

Audience Impact and Rapport - 20%
Suitability of the piece - 20%
TOTAL - 100%




Character Interpretation
Guidelines:

1. The contestant is free to choose any fictional character (e.g. literary character, movie character, etc.)
2. The piece must be delivered in English.
3. The contestant must be in appropriate costume based on his/her character in the piece.
4. Recorded sound effects or live music may be used.
5. Delivery must not be less than five (5) minutes nor more than seven (7) minutes.

Criteria for judging:

Interpretation - 40%
-Expression
-Characterization
-Gestures

Delivery - 40%
-Voice
-Stress and accent
-Enunciation
-Fluency
-Diction
-Mastery

Stage Presence - 10%
-Personality
-Poise

Suitability of the piece - 10%

TOTAL - 100%

Vocal Solo (Filipino Classical)
Guidelines

1. Contestants are free to choose any Filipino classical composition.
      2.  The lyrics must be in Filipino language.
      3. Accompaniment may be live or recorded (limited only to piano or audio CD).
.     4. The organizing committee will provide a piano (for live accompaniment).

Criteria for judging:

Tone - 40%
-Tone quality
-Flexibility
-Range

Musicianship - 30%
-Interpretation
-Melody
-Tempo
-Style
-Dynamics

Diction - 10%
-Clarity of sound, vowels and consonant

Piece - 10%
-Quality
-Suitability to singer’s range

Stage Deportment - 10%
-Stage presence
-Showmanship

TOTAL - 100%





 
Vocal Solo (Pop)
Guidelines

1. Each contestant is free to choose a composition suited to his/her voice range.
2. The song may be in Filipino or English
3. Only the use of accompaniment such as minus one and audio CD-recorded instruments is allowed.
4. Back-up singers in the minus one is allowed provided they do not sing louder than the soloist during the entire performance



Criteria for judging:

Tone - 30%
-Tone quality
-Flexibility
-Range

Musicianship - 20%
-Melody
-Tempo
-Rhythm
-Dynamics

Style - 20%
- Interpretation

Diction - 10%
-Clarity of sound, vowels and consonant

Piece - 10%
-Quality
-Suitability to singer’s range

Stage Deportment - 10%
-Stage presence
-Showmanship

TOTAL - 100%


Vocal Duet (Pop)
Guidelines

1. The pair is free to choose a pop song that best suits their voice range and style.
2. The song can be in Filipino or English.
3. Only the use of accompaniment such as minus one and audio CD-recorded instruments is allowed.
4. Contestants may be both male or female or a combination of a male and female.


Criteria for judging:

Blending - 30%

Tone - 25%
-Tone quality
-Flexibility
-Range

Musicianship - 15%
-Interpretation
-Melody
-Tempo
-Rhythm
-Dynamics

Diction - 10%
- Clarity of sound, vowels and consonant

Piece - 10%
-Quality
-Suitability to singer’s range

Stage Deportment -10%
-Stage presence
-Showmanship

TOTAL - 100%



Lip Synchronization
Guidelines

1: The group is free to choose any piece.
2. The group must have a minimum of 10 members and a maximum of 25members.
3. Props may or may not be used.
4. Costume must be appropriate.
5. Performance (including the setting up of props and clearing of stage afterwards) must not be less than seven (7) minutes nor more than ten (10minutes.



 
 Criteria for judging:

Synchronization - 40%
-Timing

Interpretation - 30%
-Choice of piece
-Relevance

Expression - 20%
-Facial gestures
-Gestures

Over-all impact - 10%
-Audience appeal

TOTAL - 100%

 
Song Writing Composition
Guidelines

1. Performance must not be less than five (5) minutes nor more than seven (7) minutes, including the setting up of instruments, introduction and finale.
2. The lyrics may be in English, Tagalog or Hiligaynon.
3. The composer, lyricist and interpreter are allowed but they must be students of the school, and must come from the same college/department.
4. All entries submitted must be original songs and shall not infringe any copyrights or any other rights of any third parties. Songs may have multiple co-writers, but only one name should be designated on the entry form.
5. Participants may use recorded music (Audio CD) or sing in Chorale group. Live accompaniment is allowed, provided that the competing groups will supply their own instruments such as electric guitars, drums, keyboards, amplifiers, extension wires, etc.
6. The organizing committee will only provide four (4) microphones
7. Performance may be done in solo, pair, or group, not exceeding eight (8) members.
8. Five music sheets with the lyrics are required for submission
.

Criteria for judging:

Harmony - 30%
-Appeal of melody
-Rhythm

Lyrics - 30%
-Arrangement of the words and ideas within the composition
-Relevance

Over-all impact - 40%
-Originality
-Music treatment

TOTAL - 100%


Theatrical Modern Dance 
Guidelines

1. The piece must be original and related to the theme.
2. The group must have a minimum of 15 members and a maximum of 25 members.
3. The group may be all males, all females, or combination of both.
4. Performance (including the setting up of props and clearing of stage afterwards) must not be less than seven (7) minutes nor more than ten (10) minutes.


 
Criteria for judging:

Interpretation - 35%
-Creativity, clarity and originality
-Substance of storyline

Choreography - 30%
-Projection
-Poise and grace
-Mastery

Performance and intricacy of dance steps - 20%

Over-all impact - 15%
-Costume/Props
-Audience appeal

TOTAL - 100%


Philippine Folk Dance
Guidelines

1. The dance must be taken from a published Philippine Folk Dances authored by Francisca Reyes Aquino and Libertad V. Fajardo or any researched dances enumerated below approved by the Cultural Center of the Philippines or Philippine Folk Dance Society. The following are the specific titles of books:
a. Philippine Folk Dances from Pangasinan Volume I by Jovita Sison Triese.
b. Ilonggo Folk Dances by Petronila Suarez.
c. Philippine National Dances by F. Reyes/Tolentino.
d .Handumanan - Capiz Folk Dances by Jose B. Balcena.
e. Sayaw - Dances of the Philippine Islands Volume I to V – Philippine Folk Dance Society.

2. In dances where the author does not specify or describe the entrance and/or exit steps, the trainer may create such. However, entrance steps must not be longer than the dance itself.
3. The group shall be composed of exactly eight (8) members. The members could either be all males, all females, or a combination of both.
4. Live accompaniment is not allowed. The dance should be accompanied by an Audio CD.
5. The literature (5 copies) of the dance with the CD must be submitted
.
Criteria for judging:
Skill and mastery of performance - 20%
Stage projection, grace and poise - 20%
Precision - 20%
Interpretation - 30%
Authenticity of Costume and Music - 10%

TOTAL - 100%











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